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In addition to being unable to locate a makers mark, these individuals all concluded that the box was made by a manufacturing concern and not a one off built by a local craftsman. The gauge of the metal and the accuracy of the stampings indicate to them, that the box was built by, an unnamed industrial manufacturer. The wiring and fittings used to secure the box to the frame rails also indicate the truck probably left the factory, with this box attached. If you know of anyone with knowledge of utility boxes and their manufacturers, I would appreciate their contact information. The history of the truck from the time it left the factory until somewhere in the 50s is unknown to me. The individual from whose estate it was purchased, in the 50s, is identified in the faded black paint on both doors Hans Kuhn, Builder, Grand Gorge.
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17 at 4:30 p. m. and 7 p. m. for the general public. Tickets for all screenings are $5 per person. Chapman co wrote, produced and directed the film, and will host all the screenings along with her business partner, Owen Smith. Chapman, raised in Loganville, Ga. , often spending holidays in Mount Airy, spent many evenings in the Andy Griffith Playhouse watching her grandfather, Bill Chapman, and other residents perform on stage. She credits her grandparents, Bill and Jane Chapman, who were avid supporters of the local arts, with introducing her to the joys of the theater. When I was very little, I remember my grandfather, Bill, performing in a play where he was a devil. I dont remember anything about the show, all I remember is being so thrilled and proud that of all people, my very own Papa was up there on stage. So from a very early age, the stage had an inspiring power over me, said Chapman. Later, when we visited, they took my brother and I to see the Sound of Music. We loved it so much, we wanted to go back and watch it the very next night. Granny thought that was excessive, so we compromised and skipped the second night but went the third night. This was when I experienced the power of the theater to move me emotionally. And I enjoyed being moved. In later years, her grandparents introduced her to the Fabulous Fox Theater in Atlanta, Ga. , where she saw several musicals. She said those early experiences shaped her as a filmmaker by showing her the joy and power of excellent performances. Watching the actors on my sets give brilliant performances remains my favorite thing about film making, she said. Chapman began working on independent films in Atlanta right after she graduated from Birmingham Southern College with a degree in psychology. She made a few short films, then got her first job on a Dreamworks film, The Last Castle in Tennessee starring Robert Redford. After that she traveled to Los Angeles, Calif. , where she worked on several films including, Collateral Damage with Arnold Schwarzenegger, A Cinderella Story with Hillary Duff and Down With Love with Renee Zellwegar. She returned to her home state of Georgia to help shoot Sweet Home Alabama with Reese Witherspoon, and even went to Morocco, South Dakota, Montana, Nevada, and California to work on Hidalgo with Viggo Mortensen. I returned to Georgia to write, produce and direct the Sugar Creek Gang movies, a set of five family adventure films with Owen Smith, my business partner. The next project was writing, directing, and producing Mandie, she said. The Mandie project landed in the area where she fell in the stageMount Airy and its surrounding area. Actually, one of the reasons I wanted to do the film in the first place is because it was set in the mountains. I grew up camping all over North Carolina as well as visiting my grandparents, Jane and Bill in Mount Airy. Often when we were visiting, we would head up to the Blue Ridge Parkway for a day. I loved those mountains, loved the Parkway, and loved Mount Airy, so I immediately equated filming in the mountains with filming in North Carolina, she said. I believe my grandparents influence did play a role in my returning to the area to film. I think I was simply drawn back there.